The Accomplishments behind Hassan II Mosque

One can’t in any way, edify such a significant landmark as The Hassan II Mosque without being entranced by the possibility of the flawlessness of structures. To reach this flawlessness, you will require, precision, reasonableness as well as the fertile the shock of indestructible cultures, the vastness of horizons, a taste for eternity, the experience obtained through hundreds of years and condensed in one moment, gathered on the charming spot where the work twinkles and emanates the modes and images of magnificence.

The Hassan II Mosque appears to come from the most personal understanding with the very nature of materials. The engineering they are typified into, the design drenching them vouch for the imaginative pressure which interweaves, at different scales, materials that were crushed to emanate all the light they can give.

Casablanca, presently known as the City of the Hassan II Mosque, accomplishes the profound established desire of imperial cities, in Morocco and elsewhere, to tell the Islam whose memory will live on forever in the human mind. This Islam is no longer today only the culture which passed on the compass, powder, irrigation methods, rational algebra, and bright marbles. The Book of Songs, the Hanging Gardens or the legendary Quest of the Grail. It is first of all the religion which contributed to add to the liberation of man from his antique stupor. To declare these lights which anchor our history in our hopes, those that consolidate us in the solidify in a hard time through a specific thought of the higher forgiveness.

The Hassan ll Mosque has its inherent qualities and those innate to its setting. Morocco, the land where Averroes, the missionary of tolerance and reason and where thousands of ingenious artists, kindled and educated by the Koran and by the Greeks’ geometry, artists all all

One can’t in any way, instruct such a significant landmark as The Hassan II Mosque without being entranced by the possibility of the flawlessness of structures. To reach this flawlessness, you will require, precision, reasonableness as well as the fertile the shock of indestructible cultures, the vastness of horizons, a taste for eternity, the experience obtained through hundreds of years and condensed in one moment, gathered on the charming spot where the work twinkles and emanates the modes and images of magnificence.

The Hassan II Mosque appears to come from the most personal understanding with the very nature of materials. The engineering they are typified into, the design drenching them vouch for the imaginative pressure which interweaves, at different scales, materials that were crushed to emanate all the light they can give.

Casablanca, presently known as the City of the Hassan II Mosque, accomplishes the profound established desire of imperial cities, in Morocco and elsewhere, to tell the Islam whose memory will live on forever in the human mind. This Islam is no longer today only the culture which passed on the compass, powder, irrigation methods, rational algebra, and bright marbles. The Book of Songs, the Hanging Gardens or the legendary Quest of the Grail. It is first of all the religion which contributed to add to the liberation of man from his antique stupor. To declare these lights which anchor our history in our hopes, those that consolidate us in the solidify in a hard time through a specific thought of the higher forgiveness.

The Hassan ll Mosque has its inherent qualities and those innate to its setting. Morocco, the land where Averroes, the missionary of tolerance and reason and where thousands of ingenious artists, kindled and educated by the Koran and by the Greeks’ geometry, artists all allured by polygonal developments, makers of the arabesques and so many other stylish qualities. They don’t interpret just the assets of a vast region, the long history, the sustained and enthusiastic exertion of several generations but express the high and popular determination as well. The mysterious and irresistible commitment to be present in the world, to mold history, to receive and give, to partake in a word the components that illustrate the stamped perseverance of the beings we are, dedicated to the creation and God, so limitlessly little in the endless space that is reminiscent of Him.

The Hassan II Mosque, launching from a rigorous faith, consecrates the renewal of Islamic arts, breaks with the visible world and multiplies the images of the immeasurable. Its dimensions are reminiscent of the infinite, of the sidereal distances that the strange sculptures of cathedrals strived to express. It embodies the peak of the sacred art of all times, sparkling on the edge of the immense water stretch.

It corresponds to the moment when the life of nations and history became more intense, united, and back one another to generate a significant action or a work of art. The Hassan II Mosque means to prove and suggest, through anti-phrases, and in relationship with a world where all decisive conflicts are mainly part of the invisible order, the origin of the desire to last in the challenge of the unshakable faith faced to the strained shapes of the wave, recurring and renewing forever. In this privileged situation, the action and the work of the creator of the Mosque seem to be intimately linked. This was tangible on that day of 11th Rabi Thani, the year 1414 of the Hegira corresponding to August 30th, 1993 in Casablanca when The Hassan II Mosque was solemnly dedicated by the Sovereign of Morocco.

The choice of the date is not fortuitous. It corresponds to the eve of the anniversary of the birth of Prophet Mohammad that Muslims celebrate in worship shrines by the reading out of psalms invoking the glory of the Creator of Worlds and that of His Messenger.

The site of The Hassan Il Mosque is unique. It is expressive of today’s Morocco. Cities of various ages had already confirmed the continental bent of the Islamic civilization. And today, it looks to the sea that is shared with the neighbors of the north and of beyond the Atlantic. The structure built at the western tip of the Islamic world, fronting the sunset, the fog and the waves of the open sea is at the uttermost edge of a world that is born in the Orient and whose farthest west is Morocco. The Extreme Maghreb (al-Maghrib al-Aqsa in Arabic) generic name of Morocco, for which the land roads and sea roads stick out from the nights and seas that unite forever.

One would willingly say that this construction, whose foundation are soaked in the water and whose head is craning towards the sky represents the bright hope mounting from the Mediterranean Orient, from Athens and Ispahan, to be offered to the whole world. Hence its dimensions and especially its crystal clear a message whose significance is free from any ambiguity. The roots of its pillars, ceaselessly beaten by the waves of the Ocean have required the construction of an eight hundred meters long pier that did not give up to the unfurling tides until the end of works.

The Mosque, being a shrine of prayer and devotion, recalls, after 14 centuries, Oqba Ibn Nati, the man who spread the Islamic faith, who bridled his horse only when the latter reared and dipped its nostrils in the Atlantic waters. Oqba then dismounted and shouted, “Lord, had not it been for the ocean, I would have continued on Your path to preach Your unlimited word.” Islam, the word of peace, has at last acquired this sign of the exchanges of the spirit that is proper to it, according to Christopher Columbus.

The magisterial echo! The far-reaching echo heard throughout Casablanca and heard at a 30 km distance in the ocean! The day and night echo spread by a laser ray emitted by the minaret arrowhead, which indicates the Qibla. The symbol of a unique mosque, all those that preceded it are part of a time that is indeed inspiring, but that does not provide a similar model.

The use of modern technology naturally imposed itself in this architecture rich in renewed forces as the only way to master a 9-hectare building, a place which, after 7 years of sustained work, was to yield a prayer hall that can welcome more than 25 thousand devotees; a hall supported by 78 pillars were granite, marble, and onyx harmoniously interlace and cross their gleams. A huge hall capped with ceilings all wrapped with emerald green tiles. The green, the natural color in the land of Islam symbolizes goodness and spiritual abundance.

The technological feats were carried very far to help the building industry better and the Moroccan handicraft in a centuries-old experience, knowingly renewed. Handicraft alone has superbly revived because of the most modern ingenuity. The one and the other proving sometimes failing before the scope or the requirements dictated by originality. A lot of innovations were made that the world’s tallest crane was specially manufactured to achieve the heightening of the minaret that is topped by a skylight and by a Jamour made of shining copper — culminating at 200m. The concrete was made four times more resistant than necessary, not to consolidate the euro tunnel under the English channel but to erect a genuinely unique minaret.

ured by polygonal developments, makers of the arabesques and so many other stylish qualities. They don’t interpret just the assets of a vast region, the long history, the sustained and enthusiastic exertion of several generations but express the high and popular determination as well. The mysterious and irresistible commitment to be present in the world, to mold history, to receive and give, to partake in a word the components that illustrate the stamped perseverance of the beings we are, dedicated to the creation and God, so limitlessly little in the endless space that is reminiscent of Him.

The Hassan II Mosque, launching from a rigorous faith, consecrates the renewal of Islamic arts, breaks with the visible world and multiplies the images of the immeasurable. Its dimensions are reminiscent of the infinite, of the sidereal distances that the strange sculptures of cathedrals strived to express. It embodies the peak of the sacred art of all times, sparkling on the edge of the immense water stretch.

It corresponds to the moment when the life of nations and history became more intense, united, and back one another to generate a significant action or a work of art. The Hassan II Mosque means to prove and suggest, through anti-phrases, and in relationship with a world where all decisive conflicts are mainly part of the invisible order, the origin of the desire to last in the challenge of the unshakable faith faced to the strained shapes of the wave, recurring and renewing forever. In this privileged situation, the action and the work of the creator of the Mosque seem to be intimately linked. This was tangible on that day of 11th Rabi Thani of the year 1414 of the Hegira corresponding to August 30th, 1993 in Casablanca when The Hassan II Mosque was solemnly dedicated by the Sovereign of Morocco.

The choice of the date is not fortuitous. It corresponds to the eve of the anniversary of the birth of Prophet Muhammad PBUH that Muslims celebrate in worship shrines by the reading out of psalms invoking the glory of the Creator of Worlds and that of His Messenger.

The site of The Hassan Il Mosque is unique. It is expressive of today’s Morocco. Cities of various ages had already confirmed the continental bent of the Islamic civilization. And today, it looks to the sea that is shared with the neighbors of the north. of the south and of beyond the Atlantic. The structure built at the western tip of the Islamic world, fronting the sunset, the fog and the waves of the open sea is at the uttermost edge of a world that is born in the Orient and whose farthest west is Morocco. The Extreme Maghreb (al-Maghrib al-Aqsa in Arabic) generic name of Morocco, for which the land roads and sea roads stick out from the nights and seas that unite forever.

One would willingly say that this construction, whose foundation are soaked in the water and whose head is craning towards the sky represents the bright hope mounting from the Mediterranean Orient, from Athens and Ispahan, to be offered to the whole world. Hence its dimensions and especially its crystal clear a message whose significance is free from any ambiguity. The roots of its pillars, ceaselessly beaten by the waves of the Ocean have required the construction of an eight hundred meters long pier that did not give up to the unfurling tides until the end of works.

The Mosque, being a shrine of prayer and devotion, recalls, after 14 centuries, Oqba Ibn Nati, the man who spread the Islamic faith, who bridled his horse only when the latter reared and dipped its nostrils in the Atlantic waters. Oqba then dismounted and shouted, “Lord, had not it been for the ocean, I would have continued on Your path to preach Your unlimited word.” Islam, the word of peace, has at last acquired this sign of the exchanges of the spirit that is proper to it, according to Christopher Columbus.

The magisterial echo! The far-reaching echo heard throughout Casablanca and heard at a 30 km distance in the ocean! The day and night echo spread by a laser ray emitted by the minaret arrowhead, which indicates the qibla. The symbol of a unique mosque, all those that preceded it are part of a time that is indeed inspiring, but that does not provide a similar model.

The use of modern technology naturally imposed itself in this architecture rich in renewed forces as the only way to master a 9-hectare building, a place which, after 7 years of sustained work, was to yield a prayer hall that can welcome more than 25 thousand devotees; a hall supported by 78 pillars were granite, marble, and onyx harmoniously interlace and cross their gleams. A huge hall capped with ceilings all wrapped with emerald green tiles. The green, the natural color in the land of Islam symbolizes goodness and spiritual abundance.

The technological feats were carried very far to help the building industry better and the Moroccan handicraft in a centuries-old experience, knowingly renewed. Handicraft alone has superbly revived because of the most modern ingenuity. The one and the other proving sometimes failing before the scope or the requirements dictated by originality. A lot of innovations were made that the world’s tallest crane was specially manufactured to achieve the heightening of the minaret that is topped by a skylight and by a Jamour made of shining copper — culminating at 200m. The concrete was made four times more resistant than necessary, not to consolidate the euro tunnel under the English channel but to erect a genuinely unique minaret.